Epigraf: Berkala Ilmiah Sastra

Komunikasi Antarbudaya dalam Seni Pertunjukan Teater "Tiang dan Tuan Guru"

2025-09-17T11:39:54+00:00

The intercultural communication carried out by the Komunitas Rabu Langit and the Teater 16 Community
in a theatrical performance entitled "Tiang dan Tuan Guru" is a collaboration between two communities
with different cultural backgrounds. This research aims to find out how important intercultural
communication is in the production of the theater performances "Tiang dan Tuan Guru" using the theories
of sociology, communication, inter-cultural communication, theatre art, and community in the art of
performance. The researchers studied on the basis of the research process carried out on the ground using
the qualitative method of case studies. The results of this research are based on the analysis of the
researcher, referring to the theory used, namely: intercultural communication that is embedded in the
collaboration of the theater performance entitled "Tiang dan Tuan Guru", which was carried out by the Rabu
Langit Community and the Teater 16 Community. In the process, there were a lot of differences of opinion
between the heads of the Rabu Langit Community and the Head of the Teater 16 Community, but any such
differences can be overcome by the existence of the communication process in order to unite any
differences that occur between the two communities that have different cultural backgrounds. The
performance was a success and was able to attract an audience of 800 people.

Makna Cinta Transenden dalam Novel Akunya Dia Karya Reza Amirkhani

2025-09-17T12:14:54+00:00

This research examines transcendent love in Reza Amirkhani's novel Akunya Dia, which is part of Iranian Sufi literature. Transcendent love refers to a love that surpasses worldly boundaries and is connected to the love of God through His creations. Using a qualitative approach and hermeneutic analysis, this research reveals how the relationships between characters, particularly between Ali and Mahtab, as well as the friendship between Ali and Karim, represent transcendent love. Ali's love for Mahtab is not merely romantic but also demonstrates his submission to God, when Ali transcends worldly desires and passions. His friendship with Karim also portrays pure and sincere love, despite the differences in social status and faith. This research shows that transcendent love is a path for humans to draw closer to God by prioritizing spiritual values beyond worldly attachments. The novel illustrates that love for fellow humans can become a means to love God, and through surrendering to Him, that love evolves into pure and sincere love.

Struktur Naratif Putri Mandalika dalam Cerita Lisan dan Seni Pertunjukan

2025-09-17T12:22:51+00:00

This research aims to determine the narrative structure of Putri Mandalika in oral and performing arts. This research was conducted because there were significant differences between the oral story of Putri Mandalika and theatrical performance art. The object of this research is the story of Putri Mandalika in oral and performing arts. This research is a qualitative type with a structural approach and is located in Kuta Village, Pujut District. The data consists of primary data in the form of interviews and secondary data sourced from literature and videos related to Putri Mandalika. Data was collected by interviews which were then analyzed using triangulation techniques and narrative structure data analysis. The results of the research found that there were similarities and differences in the narrative structure identified from the beginning story, middle story, and end story of Putri Mandalika in the oral and ballad theater performance arts of Putri Mandalika. The difference in the story of Putri Mandalika in oral form and in performing arts is due to several factors, including differences in story telling. In oral stories, Putri Mandalika's story is conveyed through words and spoken language. The person telling the legend may add or subtract details according to their personal style and habits.

Genre Perjalanan dalam Novel Babad Syeikh Siti Jenar dan Jalan Gila Menuju Tuhan

2025-09-17T12:37:29+00:00

This article explains about the genre of travel literature in Indonesian literature in the context of Islam. This article contributes to the study of Islamic literary genres in Indonesia. This article uses genre theory, which assumes genre as a type of plot. Genre theory requires data in the form of plot. To find out the plot, the structural method is used for data analysis. The plot consists of a beginning, middle, and end. The results of the analysis show that the work is a travel genre. Sunan Galur's journey teaches Islamic law, but is hindered by the followers of Syekh Siti Jenar's teachings. The journey of Ki Malang Sumirang and Ki Ageng Pengging to reach the teachings of Siti Jenar, manunggaling kawula gusti. Both novels have different intrinsic patterns. BSSJ focuses on the village by maintaining tradition, so the word babad appears in the title of the novel. The characters presented are metaphorical characters, who replace the role of Siti Jenar, so that the body is considered as something fluid. JGMT presents a city in the past by maintaining its history without describing it metaphorically. This means that JGMT returns to historical texts with a little innovation. In that context, JGMT positions the body as a fixed entity, not as something fluid, so that Siti Jenar's teachings are only mastered by her students.

Analisis Naskah "Bilai" Karya Mulyadi:

2025-09-22T22:33:19+00:00

This study aims to analyze the personality dynamics of characters in the Bilai drama script by Mulyadi using Sigmund Freud’s psychoanalytic theory. This theory divides the structure of human personality into three main aspects: the id, ego, and superego. The analysis focuses on four main characters: Jukalip, Nak Kertinep, Tinep, and Kepaq. This research employs a qualitative descriptive method with text analysis techniques, examining the characters dialogues, actions, and interactions to identify the dominance of one of the personality structures. The findings indicate that Jukalip is dominated by the id, which drives him to act impulsively and destructively, such as engaging in heavy drinking, gambling, and committing rape against his own daughter. Nak Kertinep is dominated by the superego, as reflected in her determination to maintain her household despite experiencing violence, influenced by the moral convictions and patriarchal cultural values she upholds. Tinep is also dominated by the id, which triggers emotional outbursts, shouting, and the desire to kill her father as a means of releasing past trauma. Meanwhile, Kepaq demonstrates ego dominance, which enables him to make realistic decisions, balance the impulses of the id and the demands of the superego, and continue working to support his family despite his physical limitations. These findings show that the dominance of one aspect of personality influences how characters behave, make decisions, and interact with their surroundings. This study affirms that the psychoanalytic approach can reveal the depth of characters’ inner conflicts and provide insight into the relationship between an individual’s psychological condition and the socio-cultural context underlying the literary work.